Megan Stalter’s performance falls short. She throws herself in—loudly, lovingly, and frequently hilariously—whether she’s improvising a chaotic character with excessive eyeliner or giving a heartbroken lead role a jagged kind of grace. The relationship she has with Maddie Allen is subtly influenced by that same energy.
A dating app brought them together. Stalter has mentioned this in passing, always with a hint of fondness. There is only two people who connect and stay together; there is no interesting backstory. Her willingness to publicly acknowledge that bond has recently changed. A relationship that feels remarkably grounded, especially for someone so frequently associated with theatrical excess, has gradually come to light through their shared red carpet appearances and fleeting social moments.
| Detail | Description |
|---|---|
| Full Name | Megan Stalter |
| Age | 33 |
| Profession | Comedian, Actress, Writer |
| Known For | Hacks, Too Much, viral queer sketch comedy |
| Partner | Maddie Allen |
| Relationship Origin | Met on a dating app |
| Public Confirmation | Critics Choice LGBTQ+ Event (June 2025) |
| Sexual Identity | Bisexual, “mostly gay” (self-described) |
| Reference Source | People.com (coverage of real-life partners) |
Stalter and Allen simply showed up together at the June 2025 Critics Choice LGBTQ+ celebration, holding hands, wearing casual clothing, and projecting a subtle intimacy. Their appearance was not a stunt. Press quotes weren’t necessary for that kind of entrance. The story was conveyed by the image.
The media had started incorporating her personal life into their coverage of her by the time Too Much, her starring project that she co-created with Lena Dunham, debuted. The show centers on a queer woman who moves to London from New York in order to escape heartbreak. Just the plot seemed to be begging for conjecture. However, Stalter confronted inquiries head-on rather than concocting a cryptic story.
She told Cosmopolitan UK, “I’m a bisexual person who now realizes I’m mostly gay.” It wasn’t staged or practiced, and the statement was incredibly clear. Just a brief moment of self-discovery. In contrast to the exaggerated uncertainty her characters frequently exhibit, there’s something subtly radical about how at ease she’s become when talking about her identity.
She has evolved over the last few years from a beloved online comedian to a performer of many genres. She may have gained millions of fans thanks to viral videos like her “Hi Gay!” satire, but her television work—particularly in Hacks and now Too Much—has provided her with the long-term opportunity to delve deeper into her characters. Her portrayal of her real-life emotions, which are intensely felt, theatrically filtered, and frequently authentic at their core, is remarkably similar to that comedic range.
You get the impression that she is subtly revealing parts of her own story when you watch her play Jessica in Too Much. Her character oscillates between self-destruction and romantic optimism on screen. However, she has created something noticeably more balanced off-screen. The affection is rarely overstated when it comes to Maddie. It is soothingly steady, soft, and almost domestic in tone.
During a livestream Q&A, Maddie leaned in mid-conversation to fix Megan’s hair, which emerged as a particularly memorable moment. Though insignificant, the action was deeply human. These unplanned, unguarded micro-interactions are what make an impression.
Stalter’s real relationship seems to be the opposite for a performer who gained notoriety through exaggerated discomfort. It isn’t a bit. The promo cycle does not include it. It’s simply what she does in between roles. That rhythm has a beautiful quality.
Stalter’s queerness also reflects the comfort of a younger generation, which is more ingrained in daily life and less dependent on declarations. She has discussed how her own realizations were probably delayed by the lack of representation she experienced as a child. In an interview with People, she acknowledged, “I would have known sooner that I was into women.” That kind of retrospection is powerful, particularly when delivered with her trademark blend of melancholy and humor.
She now has the opportunity to represent someone else. By simply existing aloud, rather than by advocacy campaigns or monologues. That act is especially potent in and of itself. She shows up with Maddie consistently and with care; there is no choreography to it.
She never seems interested in marketing the glitzy side of celebrity, despite her increasingly captivating on-screen persona. She talks like someone who hasn’t mastered the art of flattening her voice for widespread acceptance, posts unfiltered photos, and dresses however she feels. She has created a persona that is remarkably enduring and surprisingly relatable thanks to her unvarnished honesty.
Her career will probably grow over the next year, with more roles, red carpet appearances, and absurdist monologues. However, her relationship with Maddie provides a sort of stabilizing background beneath the performance.
Despite her frenzied comedy, Stalter has developed a serene quality: a private love that doesn’t require performance. And that subtle kind of authenticity feels incredibly powerful in an environment that is frequently shaped by spectacle.
